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If I Play Light in Shing Star Again Do I Lose Soldiers

Romeo and Juliet

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ACT 2 SCENE Two Capulet'due south orchard.
[Enter ROMEO]
ROMEO He jests at scars that never felt a wound.
[JULIET appears to a higher place at a window]
Simply, soft! what lite through yonder window breaks?
It is the due east, and Juliet is the sun.
Arise, fair sun, and impale the envious moon,
Who is already sick and pale with grief,
That thou her maid fine art far more than off-white than she:
Be not her maid, since she is envious;
Her vestal livery is but ill and green
And none but fools do wear it; cast it off.
Information technology is my lady, O, information technology is my love! 10
O, that she knew she were!
She speaks still she says zip: what of that?
Her centre discourses; I will respond it.
I am also bold, 'tis not to me she speaks:
Ii of the fairest stars in all the sky,
Having some business, do entreat her eyes
To twinkle in their spheres till they render.
What if her eyes were there, they in her head?
The effulgence of her cheek would shame those stars,
As daylight doth a lamp; her eyes in heaven 20
Would through the airy region stream then vivid
That birds would sing and think it were not night.
Run across, how she leans her cheek upon her hand!
O, that I were a glove upon that hand,
That I might touch that cheek!
JULIET Ay me!
ROMEO She speaks:
O, speak again, bright angel! for thou art
As glorious to this night, being o'er my caput
As is a winged messenger of heaven
Unto the white-upturned wondering optics
Of mortals that fall back to gaze on him 30
When he bestrides the lazy-pacing clouds
And sails upon the bust of the air.
JULIET O Romeo, Romeo! wherefore art grand Romeo?
Deny thy father and refuse thy name;
Or, if grand wilt not, be just sworn my love,
And I'll no longer be a Capulet.
ROMEO [Aside] Shall I hear more than, or shall I speak at this?
JULIET 'Tis just thy name that is my enemy;
Thou fine art thyself, though not a Montague.
What'due south Montague? it is nor manus, nor human foot, xl
Nor arm, nor face, nor whatever other role
Belonging to a man. O, be some other proper name!
What'due south in a proper name? that which we call a rose
By whatsoever other proper name would odor equally sweet;
So Romeo would, were he non Romeo phone call'd,
Retain that dear perfection which he owes
Without that title. Romeo, doff thy name,
And for that name which is no part of thee
Accept all myself.
ROMEO I take thee at thy discussion:
Call me but dear, and I'll exist new baptized; 50
Henceforth I never will be Romeo.
JULIET What man art thou that thus bescreen'd in night
So stumblest on my counsel?
ROMEO By a name
I know non how to tell thee who I am:
My name, dear saint, is hateful to myself,
Because it is an enemy to thee;
Had I it written, I would tear the discussion.
JULIET My ears accept not yet drunkard a hundred words
Of that tongue's utterance, yet I know the sound:
Art thou non Romeo and a Montague? 60
ROMEO Neither, fair saint, if either thee dislike.
JULIET How camest 1000 here, tell me, and wherefore?
The orchard walls are high and difficult to climb,
And the place expiry, considering who thou art,
If whatsoever of my kinsmen notice thee hither.
ROMEO With love'southward light wings did I o'er-perch these walls;
For stony limits cannot hold love out,
And what honey tin do that dares love attempt;
Therefore thy kinsmen are no allow to me.
JULIET If they practice run into thee, they will murder thee. lxx
ROMEO Alack, in that location lies more peril in thine heart
Than twenty of their swords: look thou but sweet,
And I am proof against their enmity.
JULIET I would non for the world they saw thee here.
ROMEO I have night's cloak to hide me from their sight;
And merely thou love me, allow them detect me hither:
My life were better ended by their hate,
Than expiry prorogued, wanting of thy love.
JULIET By whose direction found'st thou out this place?
ROMEO By love, who first did prompt me to inquire; 80
He lent me counsel and I lent him optics.
I am no pilot; however, wert thou as far
Equally that vast shore wash'd with the farthest sea,
I would adventure for such merchandise.
JULIET Thou know'st the mask of night is on my face,
Else would a maiden blush bepaint my cheek
For that which one thousand hast heard me speak to-night
Fain would I dwell on form, fain, fain deny
What I have spoke: only goodbye compliment!
Dost thou dear me? I know chiliad wilt say 'Ay,' ninety
And I will take thy discussion: yet if chiliad swear'st,
Thou mayst prove imitation; at lovers' perjuries
Then say, Jove laughs. O gentle Romeo,
If thousand dost beloved, pronounce it faithfully:
Or if thousand think'st I am too quickly won,
I'll frown and be perverse an say thee nay,
Then thou wilt woo; simply else, not for the world.
In truth, fair Montague, I am too fond,
And therefore thou mayst recall my 'havior light:
But trust me, gentleman, I'll prove more truthful 100
Than those that have more cunning to be foreign.
I should have been more strange, I must confess,
But that thou overheard'st, ere I was ware,
My true dearest's passion: therefore pardon me,
And not impute this yielding to light dear,
Which the dark night hath so discovered.
ROMEO Lady, by yonder blest moon I swear
That tips with silver all these fruit-tree tops--
JULIET O, swear not past the moon, the inconstant moon,
That monthly changes in her circled orb, 110
Lest that thy love prove likewise variable.
ROMEO What shall I swear by?
JULIET Do not swear at all;
Or, if chiliad wilt, swear by thy gracious self,
Which is the god of my idolatry,
And I'll believe thee.
ROMEO If my center's beloved love--
JULIET Well, do not swear: although I joy in thee,
I have no joy of this contract to-night:
Information technology is too rash, too unadvised, besides sudden;
Too like the lightning, which doth cease to be
Ere ane tin can say 'It lightens.' Sugariness, good night! 120
This bud of love, by summer's ripening breath,
May show a admirable flower when next nosotros run into.
Good night, adept nighttime! as sweet repose and balance
Come to thy middle as that within my breast!
ROMEO O, wilt thou leave me and so unsatisfied?
JULIET What satisfaction canst thou have to-night?
ROMEO The exchange of thy beloved'southward true-blue vow for mine.
JULIET I gave thee mine before thou didst request it:
And nonetheless I would it were to give again. 129
ROMEO Wouldst thou withdraw it? for what purpose, beloved?
JULIET Only to be frank, and give it thee again.
And yet I wish but for the thing I accept:
My bounty is equally boundless every bit the sea,
My love as deep; the more I give to thee,
The more I have, for both are infinite.
[Nurse calls within]
I hear some noise within; dearest love, cheerio!
Betimes, skilful nurse! Sweet Montague, be true.
Stay simply a petty, I volition come up once again.
[Exit, to a higher place]
ROMEO O blessed, blessed night! I am afeard.
Being in night, all this is but a dream, 140
Too flattering-sweet to exist substantial.
[Re-enter JULIET, above]
JULIET Three words, dear Romeo, and good night indeed.
If that thy bent of love be honourable,
Thy purpose marriage, send me discussion to-morrow,
Past one that I'll procure to come to thee,
Where and what time thou wilt perform the rite;
And all my fortunes at thy foot I'll lay
And follow thee my lord throughout the world.
Nurse [Within] Madam!
JULIET I come, anon.-- Only if m hateful'st not well, 150
I do beseech thee--
Nurse [Inside] Madam!
JULIET Past and by, I come:--
To cease thy suit, and leave me to my grief:
To-morrow will I send.
ROMEO So thrive my soul--
JULIET A thousand times adept night!
[Get out, above]
ROMEO A k times the worse, to want thy light.
Love goes toward love, every bit schoolboys from
their books,
But love from love, toward school with heavy looks.
[Retiring]
[Re-enter JULIET, above]
JULIET Hist! Romeo, hist! O, for a falconer's voice,
To lure this tassel-gentle back again! 160
Bondage is hoarse, and may not speak aloud;
Else would I tear the cave where Echo lies,
And brand her airy tongue more than hoarse than mine,
With repetition of my Romeo's name.
ROMEO It is my soul that calls upon my name:
How silver-sweetness sound lovers' tongues by night,
Like softest music to attending ears!
JULIET Romeo!
ROMEO My dear?
JULIET At what o'clock to-morrow
Shall I send to thee?
ROMEO At the hour of nine.
JULIET I volition not fail: 'tis twenty years till then. 170
I take forgot why I did call thee back.
ROMEO Allow me stand here till thou remember it.
JULIET I shall forget, to have thee still stand there,
Remembering how I honey thy visitor.
ROMEO And I'll still stay, to take thee nonetheless forget,
Forgetting whatever other home but this.
JULIET 'Tis most forenoon; I would take thee gone:
And all the same no further than a wanton'south bird;
Who lets information technology hop a piffling from her mitt,
Like a poor prisoner in his twisted gyves, 180
And with a silk thread plucks information technology back again,
So loving-jealous of his liberty.
ROMEO I would I were thy bird.
JULIET Sweet, so would I:
However I should impale thee with much cherishing.
Good night, skilful nighttime! parting is such
sweet sorrow,
That I shall say good night till it be morrow.
[Exit above]
ROMEO Sleep dwell upon thine eyes, peace in thy breast!
Would I were sleep and peace, so sweet to rest!
Hence volition I to my ghostly father's cell,
His assistance to crave, and my love hap to tell.
[Exit]

Next: Romeo and Juliet, Act two, Scene 3

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Explanatory Notes for Act 2, Scene 2
From Romeo and Juliet. Ed. K. Deighton. London: Macmillan.

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Prologue

one. He jests ... wound, Mercutio, who never felt the wound of dear, may well jest at the scars which Cupid's arrows accept left in my heart. That this is not a general, simply a particular, remark is, I think, proved by the answering rhyme, as Staunton has noticed. And as neither the folios nor the quartos make any division of scene, such partition, originally due to Rowe, seems conspicuously wrong.

2. soft! he bids himself 'hush,' cautions himself to talk in a lower vocalization.

4. envious, jealous.

7. Exist not her maid, no longer serve her, no longer go on a vow to live single; as Diana's votaries pledged themselves to do.

8. Her vestal ... green, the life of chastity to which she binds her priestess is i of sickly, jaundiced, hue. In ill and green there is probably, equally Delius suggests, an allusion to the "green-sickness" of which Shakespeare ofttimes speaks, and which in iii. 5. 157, below, Capulet applies as an epithet to Juliet in his anger at her refusal of Paris, "Out, yous green-sickness carrion! out, you baggage! Yous tallow-confront," — an ailment of languishing girls characterized by a pale complexion. The reading of the first quarto is pale for ill, and this is preferred by many editors. Collier would change ill into white, seeing in the line an innuendo to the white and green livery formerly worn by the Court fools; merely it seems unlikely that Shakespeare would utilise the give-and-take fools in this literal sense when referring to Juliet, while, as Grant White points out, if such an allusion were intended, it would be obtained from the reading of the first quarto, pale, without the violent modify to white; vestal livery. Vesta was the Roman goddess of the hearth, respective with the Greek Hestia, and her priestesses were vowed to a life of guiltlessness and celibacy; cp. Per. iii. 4. x, "A vestal livery volition I accept me to, And never more have joy."

12. what of that? but that matters little.

13. discourses, is eloquent in its mere look.

16. some business, some private affairs of their ain which would be hindered by their having to perform their nightly duty of lighting upward the sky.

17. in their spheres. According to the Ptolemaic system of astronomy, round about the world, which was the centre of the arrangement, were nine hollow spheres, consisting of the seven planets, the stock-still stars or firmament, and the Primum Mobile; the spheres with the stars and planets in them being whirled round the world in twenty-four hours by the driving power, the Primum Mobile.

21. the airy region, the upper air; region, was originally a division of the sky marked out by the Roman augurs. In later on times the temper was divided into iii regions, upper, middle, and lower. Cp. also Haml. ii. 2. 509.

24, v. O, that ... cheek, cp. Tennyson, The Miller's Daughter, 169-186.

28. winged messenger, angel.

29. white-upturned, turned up in adoration and then that the pupils are scarcely seen.

30. fall dorsum, stand back in awe, and also in guild to get a clearer view.

31. lazy-pacing, slowly drifting. Grant White compares Macb. i. 7. 21-five; lazy-pacing is Pope's conjecture for lasie pacing, of the first quarto; the remaining quartos and the folios give lazie, or lazy, puffing.

34. pass up, disown, disclaim; cp. T. C. iv. five. 267, "Nosotros have had pelting wars, since you refused The Grecians' cause."

37. speak at this, answer her without allowing her to get farther, interrupt her at this point.

39. Thou art ... Montague. Staunton explains "That is, as she afterwards expresses it, yous would still retain all the perfections which ardorn you, were not called Montague"; and so essentially Grant White, though Dyce calls such an explanation "unintelligible." Others follow Malone in putting the comma after though, equally used in the sense of nevertheless, with the explanation that Juliet is simply endeavouring to account for Romeo's being amiable and splendid though he is a Montague, to testify which she asserts that he merely bears the name, but has none of the qualities of that business firm. Various emendations accept also been proposed, simply Staunton'south caption seems to me quite satisfactory.

42. be some other name, be somebody else in proper noun than Montague. Lettsom objects that Shakespeare could not have written "be some other name"; but later the expression "What's Montague?", where "Montague" is used as though information technology were a thing, there seems no reason why we should not accept "be some other name."

46. owes, owns; as frequently in Elizabethan literature, the final n of the M. E. owen, to pcssess, being dropped. The modern sense of the give-and-take 'to be in debt,' 'to exist obliged,' comes from the sense of possessing another'south holding, just the word has no etymological connexion with to 'ain' = to possess; it existence from the A.S. agan, to have, while the latter is from the A.S. agnian, to appropriate, merits every bit 1's own, from agn, contracted grade of agen, one's own (Skeat, Ety. Dict.).

47. doff, put off; practice off, as don, practice on; dup, do upwardly; dout, do out.

48. for thy proper name, in exchange for your name.

53. So stumblest on my counsel, come then unexpectedly upon my hole-and-corner thouglits; cp. Yard. N. D. i. 1. 216, "Emptying our bosoms of their counsel sugariness," i.eastward. confiding to each other our inmost thoughts.

53, 4. By a name... am, if I could let yous know who I am without using a name, I would gladly do so, for it is impossible for me to proper name myself without deplorable you.

55. saint. Delius points out that this word recalls their outset meeting when, as a pilgrim, Romeo had thus greeted Juliet.

58. drunkard, unconsciously acknowledging the ardor with which she had listened to his words.

61. if either thee dislike, if either be unpleasant to your ears; dislike is really impersonal, as in Oth. ii. 3. 49, "I'll exercise't; just it mislike's me."

64. And the place death, and to venture here is to risk your life.

66. o'er-perch these walls, fly over these walls and settle here, as a bird settles upon a branch after a flight from some other spot; a perch is literally a rod, bar, so a bough or twig on which a bird settles.

67. stony limits, limits formed of stone, i.e. walls; stony, more ordinarily used as = of the nature of.

69. are no let to me, are no hindrance to me, cannot bar my way and go on me out.

71. Alack, according to Skeat, either a corruption of 'ah! lord,' or, which seems more probable, from ah! and M. E. lak, loss, failure.

73. proof against, able to suffer, agree out against; encounter note on i. i. 216.

76. but 1000 love me ... here, except, unless, you lot love me, I am quite willing that they should detect me here and impale me; without your beloved, life to me is not worth living.

78. Than death ... honey, than that my death should exist delayed if I am to be without your beloved; prorogued, the Lat. prorogare was to propose a further extension of role, lience to defer, though literally meaning only to inquire publicly, from pro-, publicly, and rogare, to ask.

81. counsel, advice.

83. vast shore. "Lat. vastus, empty, waste" (Walker).

84. I would adventure for, I would make my voyage in quest of, however keen the danger.

88. Fain ... form, gladly would I, if it were possible, stand on ceremony with you, care for you lot with distant formality; Fain, properly an describing word.

89. only adieu compliment, "only away with formality and punctilio" (Staunton); I now cast such things to the winds.

93. laughs, expert-humouredly disdains to punish them. Douce compares Marlowe's translation of Ovid'south Fine art of Love, i. 633, "For Jove himself sits in the azure skies, And laughs below at lover'due south perjuries," from which he thinks that Shakespeare borrowed.

94. pronounce it faithfully, assure me of your love without adding an adjuration to confirm your words.

97. So, provided that.

98. fond, foolishly loving; fond, originally fonned, the past participle of the verb fonnen, to act foolishly, from the substantive fon, a fool.

99. lite, total of levity, wanton.

101. more cunning ... strange, more skill in affecting coyness.

104. passion, passionate confession; the word was formerly used of any strong emotion.

106. Which the dark ... discovered, which (love) has been revealed to you by the darkness of the night whose part should be to muffle; which y'all have discovered thanks to the darkness of the night.

110. circled, revolving; non, I think, 'round,' every bit Schmidt explains.

111. likewise, as.

113. gracious, attractive, finding favour in my eyes; cp. T. A. i. 1. 429, "if ever Tamora Were gracious in those princely optics of thine." This is the reading of the first quarto, the other old copies giving glorious, which Grant White thinks more suitable to the context.

114.of my idolatry, that I worship.

117. I accept ... to-night, I experience no joy in now ratifying with oaths a contract between us. Similar Romeo, i. 4. 106-11, she has a presentiment of some evil befalling their plighted love.

118. unadvised, imprudent, formed without sufficient consideration.

121, 2. This bud of dearest ... meet, this new love of ours, cherished in our hearts, may expand into full growth by the time we next meet, every bit beneath the summer'southward warmth the bud expands into a admirable blossom. as that ... breast, "as to that heart within my breast" (Delius).

126. satisfaction, Delius points out the double sense here of payment and comfort.

129. And even so ... over again, and yet I wish I had not given information technology, in order that I might now over again accept the joy of giving it.

131. frank, liberal, free of hand; cp. Lear, 3. 4. 20, "Your old kind father, whose frank heart gave all."

132. the thing I accept. sc. her own infinite honey.

143. If that ... honourable, if your love is honourable in its intentions; for that, as a conjunctional affix, see Abb. § 287.

145. procure to come, arrange to accept sent.

146. the rite, sc. of marriage.

152. Past and past, in a minute, directly.

153. conform. Malone quotes from Brooke's verse form, Romeus and Juliet, "and now your Juliet you beseekes To cease your sute, and suffer her to alive emong her likes."

154. So thrive my soul — may my soul prosper (according as I mean well to you), the terminal words being broken off past Juliet'southward farewell.

156. A thou ... light, in answer to Juliet'due south wish of good-night he says, nay, not proficient night only bad nighttime, night fabricated a thousand times the worse past the absence of you who are its only light.

158. toward ... looks, sc. as schoolboys go toward, etc.

159. Hist! Listen!

159, 60. O, for ... again! would that I had a vocalization that would bring back my gentle Romeo as surely as the falconer's voice brings ack the tassel-gentle! "The tassel or tiercel (for so information technology should exist spelled) is the male of the gosshawk; so called because it is a tierce or tertiary less than the female...This species of hawk had the epithet gentle annexed to it, from the ease with which it was tamed, and its attachment to human being" (Steevens). "It appears," adds Malone, "that sure hawks were considered as appropriated to certain ranks. The tercel-gentle was appropriated to the prince, and thence was chosen by Juliet as an appellation for her beloved Romeo."

161. Chains ... aloud, one fettered, constrained by fear of existence overheard, similar me, is as much unable to call aloud as i whose vocalisation is stopped by hoarseness of the throat.

162. Else ... lies, otherwise by my loud cries I would rend the cave in which Echo dwells; Echo, an Oread who by Juno was inverse into a being neither able to speak until somebody had spoken, nor to be silent when everyone had spoken.

163. And make ... mine, and, past compelling her to repeat my cries, brand her hoarser than myself even. Dyce compares Comus, 208, "And airy tongues that syllable men's names On sands and shores and desert wildernesses."

166. silver-sugariness, in innuendo to the sweet tone of bells made of silver.

167. attending, attentive.

173. to have ... there, in society to keep you standing there.

175. to take ... forget, so that you may continue to forget.

176. Forgetting ... this, forgetting that I have any home but this, forgetting that this is not really my home.

178. a wanton'southward bird, the pet bird of a mischievous daughter, a girl that loves to tease her pets.

180. gyves, chains, fetters.

182. So loving-jealous ... liberty, and then fond of it and notwithstanding so jealous of its getting its liberty.

186. shall say good night, shall continue proverb 'good night.'

188. and so sugariness to rest, having so sweet a resting place.

189. ghostly male parent, spiritual father; father, a title given to cosmic priests.

190. my beloved hap, the good fortune that has befallen me; hap, fortune, chance, accident, from which we go to 'happen' and 'happy.'

How to cite the explanatory notes:
Shakespeare, William. Romeo and Juliet. Ed. K. Deighton. London: Macmillan, 1916. Shakespeare Online. 20 February. 2013. < http://www.shakespeare-online.com/plays/romeo_2_2.html >.

How to cite the sidebar:
Mabillard, Amanda. Notes on Shakespeare. Shakespeare Online. twenty February. 2013. < http://www.shakespeare-online.com/plays/romeo_2_2.html >.

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Even more...

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Notes on Romeo and Juliet

microsoft images Juliet appears above at a window (stage management). Shakespeare did not include this stage management and it is not in Q1 or the Outset Folio. It was added in the 17th century and has remained ever since, although some editors choose to place the direction right after Romeo's line "He jests at scars that never felt a wound" (1), while others insert it correct earlier Romeo says "It is my lady, O it is my love" (x).
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ill and green ] The phrase ill and green refers to the anaemic status known as chlorosis, or green sickness. The goddess Diana (the moon personified) is sickly pale and envious of Juliet'southward beauty (6). Juliet, too, every bit a follower of Diana (i.east,. a virgin) is looking quite sickly pale herself.

As Helen King argues in her book The affliction of virgins: green sickness, chlorosis and the bug of puberty, "...for an early modern reader, the disease characterization 'greenish sickness' - like 'the illness of virgins' - could contain within itself the cure: sexual experience" (35). Read on...


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 Introduction to Juliet
 Introduction to Romeo
 Introduction to Mercutio
 Introduction to The Nurse

 Introduction to The Montagues and the Capulets
 Famous Quotations from Romeo and Juliet
 Why Shakespeare is so Important

 Shakespeare'southward Language
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Notes on Shakespeare...

Richard Shakespeare, Shakespeare'due south paternal grandfather, was a farmer in the pocket-sized village of Snitterfield, located four miles from Stratford. Records show that Richard worked on several different farms which he leased from various landowners. Coincidentally, Richard leased land from Robert Arden, Shakespeare'southward maternal grandfather. Read on...
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Shakespeare caused substantial wealth cheers to his acting and writing abilities, and his shares in London theatres. The going rate was £10 per play at the plough of the sixteenth century. So how much money did Shakespeare make? Read on...

Henry Bolingbroke, the eldest son of John of Gaunt and the grandson of King Edward 3, was built-in on April 3, 1367. Henry usurped the throne from the ineffectual Male monarch Richard II in 1399, and thus became King Henry IV, the first of the three kings of the House of Lancaster. Read on...
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Known to the Elizabethans as ague, Malaria was a mutual malady spread by the mosquitoes in the marshy Thames. The swampy theatre district of Southwark was ever at take a chance. Male monarch James I had it; so as well did Shakespeare'south friend, Michael Drayton. Read on...
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Shakespeare was familiar with seven foreign languages and often quoted them straight in his plays. His vocabulary was the largest of any writer, at over twenty-four thousand words. Read on...

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